LIMBOURG brothers
Flemish painters (b. 1370-80, Nijmegen, d.
1416, Nijmegen).
family of Franco-Flemish manuscript illuminators. The Limbourg brothers, Pol, Jan, and Herman, were trained as goldsmiths. They succeeded Jacquemart de Hesdin in 1411 as court painters to Jean, duc de Berry. Their masterpiece is the magnificent book of hours known as the Tr??s Riches Heures (c.1415; Mus??e Cond??, Chantilly). This is filled with exquisite illustrations of the daily life of the aristocracy and peasantry, including a series of calendar illuminations that are considered the finest extant examples of the International Gothic style
Related Paintings of LIMBOURG brothers :. | Les Tres Riches Heures du Duc de Berry | The medieval Louvre is in the background of the October calendar page (mk05) | Les trs riches heures du Duc de Berry: Mars (March) wf | Les trs riches heures du Duc de Berry: Aout (August) sg | The Fall and the Expulsion from Paradise | Related Artists: Lambertini, Michele di MatteoItalian Painter, active 1416-1469 Eugene Verboeckhovenpainted Hungry Wolves Attacking a Group of Horsemen in 1836 FONTANA, LaviniaItalian Painter, 1552-1614
Daughter of Prospero Fontana. She was trained by her father and followed his Mannerist style. Her first recorded works, which date from 1575, were small paintings for private devotion, such as the Holy Family (Dresden, Gemeldegal.). By 1577 she had become established as a portrait painter in Bologna. Works of this date include the Self-portrait at the Harpsichord (Rome, Gal. Accad. S Luca) and the portrait of Senator Orsini (Bordeaux, Mus. B.-A.). Her portrait style reflects the formality of central Italian models as well as the naturalistic tendencies of the north Italian tradition. The elegantly costumed Orsini is shown seated at a table, with a suite of rooms opening behind him, a setting recalling such Florentine portraits of the 1530s as Agnolo Bronzino's Bartolommeo Panciatichi (Florence, Uffizi). Lavinia used a similar setting for other portraits, including the Gozzadini Family (1584; Bologna, Pin. N.). Female sitters are also shown in elaborate dress, with particular attention paid to details of embroidery and jewels, and they are often accompanied by small dogs
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